Kosovo music industry rapes children, women, illiterate and poor

In a photo distributed on Facebook, we can see a singer named Fjolla Morina dancing and singing almost a pipe in front of a few children. The picture shows that the singer mentioned was also selling sex at the moment in question, the main element currently in the music industry, but the mystics were too small. Interesting example of a cold, wild capitalist in a non-functioning state and an uneducated society.

In fact, the same is often true at concerts held in Pristina and other cities. In the first row looking at sensitive performance are some little kids.

While in Mother Teresa Square, we can see some young girls, four-five years old, as they do the same positions with singers who sell sex through music, or as they dance and shake like them.

The music industry in Kosovo has grown so much that it can no longer be ignored as a disgusting habit. Our musicians are shamelessly exploiting the combination between liberal values on one hand, and lack of education and basic civic consciousness on the other. The point of this music is to exploit the most vulnerable people of society even though singers have been self-declared as a self-repireer, a rocket, ahip-hop artists, pop artists, etc. but never hold back from the cultivated wild beasts, nor from the spirit which they declare to be delivered. These singers are constantly retaking the primitive by harsh processing, and at the same time returning to the illiterate prewar folklore. Neither do they save old rap and folk rock, nor even music made in oda with couples and similar instruments.

Along with the patriotism and vulgar patriarchism, and sometimes racism as products of quality education, violence, sex, and corruption are promoted in an enthusiastic way. But criticism of them is far less rare than that of a few firehouses, even though musicians receive millions of clicks and have great public influence.

Because they want to maximize profits these musicians misuse the sensations, tastes, dreams, and desires of the most marginalized categories of society. Of course, neither children are spared. And with them, neither other categories of oppression, such as women, Roma, Serbs, and all those poor people, are spared.

Therefore, the annual added success of the non-recognitional music industry is closely linked to the tremendous weakness of the educational system.

And of course, most [may all] of successful musicians on our market do not come from poor, oppressed families but from privileged families, with high, affluent social status. Though they sell otherwise.

This is another form of explosion that privileged ones become to the privileged. And from all of this, there's going to be a huge mass of violent, racist, and sexist people. That instead of respecting civil liberties and rights, they will continue to recycle primitives at a different rate.