Freedom Productions

The Kosovo Republic celebrated its first 10th anniversary. A decade that was marked with little happened, and not that important. With citizens in a state of unconsciousness, like in a dream or drunkenness like Louis Trimble of the missing “Decade” by Francis Scott Fitzgerald. Maybe more [...]
The Kosovo Republic celebrated its first 10th anniversary. A decade that was marked with little happened, and not that important. With citizens in a state of unconsciousness, like in a dream or drunkenness like Louis Trimble of the missing “Decade” by Francis Scott Fitzgerald.
Perhaps more reason for the holiday had Serbian politicians and those who prevented our Republic's progress. I can't believe the first party ten years ago, on the occasion of declaring independence would be so great if it knew what would follow.
A decade is a long time for people who experienced the oppression of 90s, war and then freedom. The declaration of independence rightly laid wait for something extremely different. For an admission or eventual recognition from Serbia of our independence. And for a good job with our institutions. This is where I want to stop.
The idea of freedom that Kosovo citizens had in mind I don't believe it was as naive as it is usually prejudiced. It was not just a thoughtless reaction to oppression. This is evidenced by protests in 1968 and 1989. And in their slogans. But also, in the slogans of a series of protests during the 1990 ' s.
Freedom had to do with freedom to decide, rule itself, to take into our hands the development of the country. And to a certain extent this freedom existed over this decade. We could decide a lot. We had our fate in our hands. But what we have done is sad and poor, weak and embarrassing. In almost every form of culture.
Citizens are frustrated by what they call politics. It's true that the area of promotion where the actists operate is not corrupt and shame. After all, we're talking about rejection and non-stop about a policy course. But shame is also seen in other forms of representation that indicate our collective making.
I'm just mentioning the unfair justice system, poor educational system, cultural poverty, excessive entrepreneurship, among other things.
This is the product of our freedom.
In another popular type of culture, in sports, we were also ashamed. A women's handball team had lost with thirty disadvantage goals against a wild team. Kosovo's football champion was defeated by a semi-amator team from the Faroe Islands, with a total score of 5-2 in the first year of competition in the international arena. And the enthusiasm of a large number of people who follow football in Kosovo went out as quickly as the eye looked out. Kosovo's football national performed teams like San Marino, Andora and Gibraltar. And let's not forget, that to promote ourselves in football among other nationals, we detonate players from at least 4 million Albanians across Europe. Let's move on. In the National of Kosovo we had only 2 or 3 players out of 23 total that ran out or formed into our football.
In an article published in The New York Times translated by Periscope, Andrew The test had spoken to a Kosovar who had expressed despair at what had happened in Kosovo. He had even gone so far as to say something that the author himself described as heresy for Albanians here: “was better before the war than now. ”
The conclusion of his article itself raises a significant question, commenting on the failure to sign a visa for the prime minister and visa failure: “Kah leads these expensive highways to this isolated people?”
The chains are evident in foreign policy. We've been recognised by 116 different countries in the world, but these recognitions are the result of the lobeing of big friends like the United States, the United Kingdom, France, Germany and Turkey, had commented on Augustin Palocaj.
Ten years of forming a considerable measure of freedom went wrong. Too bad. Although I was and I remained a great supporter of Independence, and an objection to the idea for the National Union I felt tremendous despair on the tenth day. I was unable to post the flag on my Facebook, nor to write a letter of congratulations.
To congratulate something requires a considerable amount of pretend. Breathing. I don't believe Kosovo deserves to be wished for anything. The great mass of people who want to leave this country testifies to this. Also running into dangerous political ideas targeting the crushing of the idea of independence built by the liberal International project.
The same evening of the declaration of independence in Pristina performed a British singer of origin from Kosovo. Over 100,000 were present. She has gained world fame, and this boasts people here. The next day, I wrote a Facebook status quoting Whitgenstein, saying that “Music has come to an end after Brahms.” Austrian-Britian philosopher believed that container music was totally unacceptable.
The Blue Group in the late 1990s, disgusted by the commercial music of fuck a song called “Song 2” with a totally absurd text ) irony with pop music industry. Strange is that people didn't ask about the purpose of the song's author, and popularized him. This is probably the most popular song of this group.
The destruction of values has preceded dozens of great thinkers since the late 19th century. It was expected. And the expected was that when it started producing and popularized absurdity, Albanians would get a good spot within that production scheme. Being the followers of noise. Trapped. Distinction. Impulsion of values. Disconception.
The phenomenon of achieving fame by singers of Albanian origin testifies only to the inability to create values within our society. Disobedience to moral, intellectual, and valuable authorities. Or the absence of these authorities. Powers that exercise poorly, and that keep people unformed or willing to shape from other cultures and values.
However, I respect those who think that these songs of Albanian origin offer good examples or convey certain values. But look closely at the preceding paragraph. This optic can also work. So Rita Ora may have become a great singer and high-value agents, being created by an amorphous culture, and leaving it ready for formation from Western culture.
One might say, " What's wrong with the freedom this unformed culture set forth? ' There's nothing wrong with individuals. Not one thing. But when we talk about state and society, then the evil is what it shows. And evil is in the absence of a collective character. In the absence of a sense of belonging, common values, or genuine love for him.
What do we want in our nation or country if not a certain set of values, culture, or even a imagined collective character? Its flags, its colors, its fruits, and other traditional foods, its dances, and its like. But we ignore values, culture, and character on daily grounds. And so we become international racist.











