Politics under slogan “Panic No, Attention Po”

Panic usually embodys Destruction the mass. This is usually true when people are very attached to what it is to a theatre show or well closed movie spaces. This mass of people is very united and quite isolated in relation to the outer space of theatre or cinema.

Is this arrangement designed specifically for the show? Most of the time, it can be said yes, but not in a few cases the public may be united not for a show that can't get the nerve fibers of the public, but they stick together because it's now there.

If the show or the movie fails to do its job, it can do a fire or terrorist attack. In fact, a popular saying says that Fire and water should not be played. Now we can add to that the terrorist attacks, for they should not be used as cats but should be treated as dangerous as fire.

From 2001 onward, terrorist attacks have solved people's feelings so strongly that the panic coming from them is the same as the fire.

Kosovo, an isolated foreign site, has become a theatre, as stated by philosopher Michel Fukault, the theatre has already moved from the building and is not even the building, but life itself is a theater, where its citizens are 24 hours a day for 365 days of the spectator year. The shows that are presented to these spectators are what the governments of the country broadcast. They're different, but they're mostly unresolved, and for rhetoric and nationalism, easily resolved. The performances are of episodes like Turkish or Spanish, endless serials.

The show, David-19, has managed to capture the nerve fibers of Kosovo's inspectors. This show is continuing without interrupting 7,24 hours now and almost two months. The spectators have become as close as they were before, keeping everyone locked in their homes.

On the other hand, the feeling that the fire is trumpeting parallel to the show -- Coddy-19. So this feeling was coming from two directions: from the interface, Covid-19 on the one hand, and on the other, from the policy that is developed within the province called Kosovo.

Constalling the presence of fire automatically puts that sense of mass that always exists in the spectator. The common danger creates such an environment for a common fear to arise in all spectators.

Politics is injecting such fear into citizens. Such fear is not unintentional. It is designed to keep the measure under high pressure. Full control pressure. Under the name of the fight of the Cocid-19 pandemic, director (government) is installing fear phylofophilia (Sversen) or Phalology (ang: Fearology) because from such ghost scenarios, a critical potential is reversed, while on the other hand, it is the risk of undoing our ʹteatre called Kosovo.