The violent man destroys the city

Man's relationship with terror is far more complex than originally thought. Terror is not just a thing to fear and turn away from. Terror is a necessity of watering the strongest sensations in us, shared by our ancestors hundreds of thousands of years ago.

Now terror is also the most important artistic element in the most rewarding cinematography. People love violence. Or at least they love stories about violence and terror. One of the most charming characters in the popular series “Fronts Game” [ang. Game of Thrones was the cruelty Remzi Bulton [Ramsay Bolton], who kills father, throws away his newborn brother, rapes his wife, etc., and so forth. Another popular character was Daneris Targeria [Daeneries Targaren] who massacred millions of innocent people in the last season.

Meanwhile, the film [Joker] that received most nominations for the Oscars Awards, humanizes the criminal known as the Heajgarexhiu [ang. Necker, who first appeared in the comic book Batman.

Director Todd Phillips stated that the original and final purpose of the film had been penetrated in the circumstances that shaped evil within the Joker. He too was human after all. Joker only becomes cruel after he faces the intense misery that society inflicts on him. At first, he's good, he's kind to his mother, he's doing no harm by facing anyone quietly as a deserter with sadness.

I admit it, I haven't felt better in a movie lately than when Joker kills his mother, a random, abusive man. Besides, I didn't feel better than when he kills during direct broadcasts of comedian Mary Frankll [Murray Franklin, played by Robert De Niro] after he publicly ridiculed him. And in the end, I felt better than when chaos broke out in a city [Gotham City] filled with garbage bags [cause of the crack-worker strike]. When the silent disorder of the passive but overwhelming city becomes immediately transparent and active.

It is a beautiful violence like revenge against all the silent, passive, and daily atrocities that such people commit when they get into a tube as societies. The usual. It is a first - century violence that is not caused by crushed pain that immediately becomes oppressive. It's a violence not to worry, but to a funny smile.

Joker shows up at the start of a movie with a broken, angry face. No mask. And at the end of the film, he has a joker mask, but he takes a triumphal stand without the point of anxiety or ill-coming. This is the real Joker, the masked man, trying to tell us the movie. The man without a mask, with his face, is just a disgusting, oppressed being, a fake being. Like a man gathered together.

Philosopher Zzizek chants the state of frustration, saying that exactly frustration is a prerequisite for creativity. He mentions the frustration of Adam and Eve in the garden of Eden, and because of not being beaten alone, they sinned by producing the world of sins that we know today.

In fact, I believe it's terror that triggers creation. Terror pulls out our most oppressed feelings and kicks the hard kick at the presses. The terror lay before us the fragile social and moral structure, in fact the fragility of the entire order of things by showing us our individual strength. But “officer” is terrorizing beyond violence. He's terrorizing simply by not being serious, not being serious, and taking our whole system and values for granted. And his terror is beautiful because it's individual and it's not called the name of a thousand-one community suffering. [Even though, the film is in vain on some pathetic scenes]

The vast majority of terror actually spilled passively. Individuals designated today are terrorised by ridicule in social networks. Or just ignoring. We were terrorised as a nation in the name of the suffering and sacrifice of the Serbian people. We had taken it from the hands of their nation, Kosovo becoming a giant Spanish turtle Diego, which was reported to have saved its species, Chelonoidis hodensis from extinction. Thus, the oppressed pain of tens of thousands of people, the cause of the inability to retaliate individually, becomes an act of terror by one society toward another.

Yet, it is exactly the state of untamed terror that kills people. In our case, we have a city very similar to that of Gotham [which makes reference to New York of the 1980s], Pristina, as well as a snorkeling and disorderly country. A narrow, extremely colorful sample. With buildings very much like Gotham's. With narrow spaces and junk scattered everywhere. With our workers removing the trash, they are paid only 230 euros, stigmatized, yet they do not protest.

I don't think Jober's a good man's confession. There's a return to Merso's [Meursalult's] accounts, written by Albert Camus] while awaiting execution in prison. It's a mockery of the criminal system and of moral values.