Poor one with September Ismet Jashar in Kumanovo

Albanian sculptor Dibrane Muharrem Turkes had worked on the September of hero Ismet Jashari-Kurmanova, currently established in Kumanovo. Turkes was a professor at the Academy of Arts near the state faculty of Tirana. On the internet to click on it, you find words of concern for the profession-sculptture, especially for the works of heroes like Gjergj Kastriot, erected in the centre of Debar. He is also the author of the Sultan's sculpture in Gostivar. His works already take place in some Albanian lands. The question is, how well he knew the proportional laws of the human body, or the effects of the predictability of an enlarged September, which lies on the foundation, which is very carefully observed from the bottom up, then to the side, then back up and down.

How well he knows the flat terrain or other reliefs, such as the space accompanying September! Or the other, he was paying attention to body parts, starting with his head, arms, hands, chest, and legs. This shows a proportional ignorance of amateur defects, or miserable cartoons, the object of ridicule, of the September of hero Ismet Jashar. Should I treat heroes that way? If art doesn't really present them as they were or not decorated them, it has failed to do anything. Sculpture is subject to aesthetics, space, time, change during the morning, to artificial lights that catch up in the evening. The primary role of sculpture if we work on human image is image and material, or proportional external harmony.

Inner: the spirit, the historical part must correspond to the outside, we have a connection here. This kind of sculpture requires a strong axis, and clear ratios between the body and space. This is better for a return to antiquity - body beauty and illusionist effects. In the September of Jashar, we see no excises, no shapes, no proportions, is simply a cartoon. In the case of this September, the sculptor has had to show the academic poetry of realism, the magnificent attitude, or real. These are aesthetic criteria that neither of us find. We can't even notice in September whether he's patriotic or national. I don't know that before this September's discovery, the sculptor before the assessment commission has offered proposals for making or Buscettas, or sketches implemented in the September fragments. Apparently not.

There are some sculptors who set up sculpture material in the center and themselves the form that seems to think by making deformities, though seemingly deformizing. Others, however, are devoted solely to its aesthetic side. He made Leonardo Da Vinci at “The Human Vitruvian”. It is a sketch of the human body focused on the center of the square and the circle, where man has legs and arms stretched out. Man's measure as a figure is divided in paper or sculpture: four fingers make one hand, and four palms make one foot, or six palms a cubit, four cubits are the height of a man. The sculpture in question appears to not use these in September.

First, if we are to make a person's body the most accurate length, we must observe the length of the wings stretched out because it has to do with the total length of the human body. In September, the length of the hands is longer than this measurement, the hands are easily drawn, but if extended, the length of the body exceeds all size. The body of “The wearing of the head starts from the root of the hair to the end of the beard, which produces a tenth of a human height.

By the end of the wide beard on the top of the head, however, it is identified as part of the eighth person's height. From the tip of the chest to the roots of the hair only begins the seventh half of the full man. September, on the other hand, has the wide length and breadth of its neck. She proves the head must be more loaded. The head is too small for the hero. The other of the breasts at the top of the head begins a fourth part of the person. So here we have the largest shoulder length, specifically on the four of it. The side of September's shoulders is too tight, it looks like the feminine shoulders because the women are narrower on their shoulders.

The wide elbow at the tip of the hand identifies the fifth part of the man, and from the elbow wide to the armpit, the eighth part of the human measurement ends. Understandably, the size of sculpture grows because it has to do with cooperation - from the earth the exact length of man to the roots of his hair. This grows for some in harmony with body parts. Complete hands identify one tenth of the human body. And the middle of the body starts with the genitals. By the feet of the seventh man, the sole of the foot to the knee is the fourth part of the body. The lower knee that ends up in the genital organs is the fourth part of the body. If the hero's head is correctly measured, it has to have these ideal measurements of accuracy: the end of the beard to the nose, or the root of the broad hair in the eyebrows should be at any rate, as the ear identifies a third of the face.

My dignity at the hero is greater than these exact ratios I mentioned earlier. So our reaction as a simple citizen is to honor this September which is previously identified as cartoon rather than realism. But even the caricature has its own art that shaves the harmony of the limbs with deliberate exaggerations. Just a professional measurement if September was done before the anatomy was created would be correct. I have the conviction that the sculptor in question was not familiar with accurate human anatomy. We need to know that the sculpture leaves the center and testified to da Vinci in the above - mentioned work. The man is symmetric before, and do you think we find this symmetry in September that is in a disproportionate with many parts of the body. Standing, milk, nothing about his heroism, not even naturalism.

Text Author Is Critical of Art