Theatre, greedy, ignorance, and deliri in action

Following the interview at Edi Rama's “Opion” with journalists (part for the National Theatre), the mʹu once again raises a question raised in journalistic circles on the prime minister. The point is what dominates the Rama projects of the collapse of cultural monuments such as the Theatre Stadium: the greedy thief who wants as much money for power and power for money or the disease of the Minoman delirist, who thinks history begins with it?

There are some who insist that we should forget about the sheep and the history.

Look at Paris County! They tell you. There Rama was able to start history from scratch because it was a virgin terrain where he could display all his ambitions, love and vision of the city as if he had it and that's what ugly it has done. Look at the decay of all those historical villas in the Block, on the Lambsan Way, and on the other hand, to build banal buildings there with the sole criterion - as much of the sale area at width and altitude. You look beautiful they, you seem to have any claim to make stories besides the story of the ugliness of this city? However, at this point the sheep's partisans, who do not deny the thief inside, intervene and say that thieves have had and have Albania, but that no one has even managed to tear down such objects as the Theatre or Stadium. There's something more to say about them and remember that Vangjush Dakos argument, when he said Veliera is being done for tourists who will come after three hundred years to visit Durres.

Personally, I'm puzzled about what they dominate at Rama, the greedy concrete firm Rama/Dush, or the megalism megamania and mitoman that I think is leaving a trail in history. I even think it doesn't make sense to ask who they dominate, because they're already two sides of the coin, where neither of them can do without the other. But one thing I can certainly say is from that story that Rama is repeating because she doesn't want to and doesn't know how to learn from it. A megaloman narcissist can do good things, but never when the disease joins in calculating to steal and to ignorance.

On Thursday's “Opion” show, guest journalists were taken not enough with the intention to steal from the theatre project. To illustrate my thesis, I would say those “Fusha” back, aimed at stealing, anesthetically damage to the Danish “project “because they take the light and space they need; and that Rama doesn't even care about it, reinforces the tesis of those who say: forget the delirus, just look at the theft. The debate, however, focused more on the cultural part of the project: the need or not the preservation of the historic building. And right here Rama revealed his deepest ignorance, which, along with stealing, can never let him do good things.

Asked by Fevziu by what argument an object like the National Theatre has been introduced to cultural monuments in 2000 and has now been removed to collapse, Edi Rama replied that 20 years have passed since. This response (no answer) cannot be given without being “ignorant” (rapidly ignorant) as a former adviser has once been named by an architect profession.

The prime minister, who has been both mayor and Minister Kulture, has not yet learned that the list of objects that are historical monuments comes, not by reducing, but by adding to a city not ruled by Taliban, because history moves forward, which means today. We need to proclaim cultural monuments and many objects of socialism, while older ones become even more precious like good wine. Not only, but the prime minister made it clear that he has removed as a monument the culture and the former Central Committee building and the Pyramid (leaving only the asphalt of boulevard) because he intends to transform them, putting a large hood on his head and the second steps to play children, it appears according to the Vinnie Mass project.

Does envy or psychiatric illness dominate my work? It doesn't matter to me. The important thing here is that we're dealing with deep emotional and emotional ignorance, both rationally on the importance of cultural monuments.

And this is related to another indictee who manifested the prime minister on Thursday's show, respecting the entire “advice” of Mark Tuen: “Everything you need in this life is ignorance and trust and then you guarantee success”.

When journalists told him he ruined a cultural monument (talking about the stadium), he replied: <x0m> Culture has been all of the Ansamli, not just Stadium”. According to this wisdom, if we remove a piece of a cultural monument, it did not become vulnerable. Then, to expose himself to the end of that principle that if you were to destroy the character of missing intelligence and intelligence, he began to say that he didn't break up Bozio's object, because it's the only valuable thing of the object, they put him in the stadium: “Sic makes Italians, from whom I learn, and you don't learn<3>, he added by mocking reporters.

I don't want to talk here about the fact that to break down a protected facility, you have to completely change the law that made it a protected facility. This is what I hope the day will come when a truly independent justice will be exposed to its investigation. I want to stress once again the aspect of our prime minister's ignorance.

One of the most basic things a former Minister Kulture and a former mayor need to know about cultural monuments is the fact that there is a regulation that protects objects that are cultural monuments, where, among other things, the distances (from them) are to be preserved so that they can radiate their value, for which they are preserved, their beauty. And this guy and his Casamont put the old facade inside our new stadium like a toy, moving it into his house.

One more thing. Where he and Casamont saw these actions in Italy with cultural monuments. In Cassamont Florence, the stadium “Artemio Franzi” where Fiorentina's matches are performed is in 1931 and is considered a symbol of the XX century architecture in the city. And it's outside the historical center. And in the centre, when a mayor had the idea to change a little bit of the back exit of the Uffici Gallery, to put there one type of shelter, according to the design of a renowned Japanese architect, all the art people stood up and stopped it.

There's nothing more terrible than ignorance in action”, says Goethe. Add to it both the greed to steal from Rama and the oligarchs around him, and the incurable deliry disease of the person who thinks that history begins with it, and imagine how Tirana will turn out, which has also become unpredictable and uninhabitable. /Panorama/