Migen, extraordinary model of modern Albanian prose

The legend is considered one of the most widely read and important writers of the 20th century Albanian literature. For the era it was a completely innovative voice from the inside, and the shape and impact on Albanian literature of the time was great.

The legend was born on October 13th 1911 in Shkodra in an Orthodox family. Milos Gjergj Nikolla's last name comes from his grandfather Nikola Debrani, an Albanian who came from the province of Reka (now in Macedonia), where it was part of the Orthodox community that gave birth to another name in poetry issue, Joseph Jovan Beger.

The legend had advanced beliefs about its time, with which it began to mold from school banks under the influence of progressive authors. Work as a writer began when in Albanian literature the democratic current, with its realistic, deeply innovative writings from inside and shape, provided great help in further development.

It is considered that Migen passed from revolutionary romance to critical realism during his lifetime. It reflected the deep poverty of the years he lived, and standing up to the heroes of his creations as “our daily budget thanks today to “, the “Beauty that kills”, the “Molle and the stopme”, the “corn legend”, “A wants coals ? <x9, etc. He severely scourged the indifference of the affluent classes to the suffering of the people.

Migen's influence on the circles of anticifligar youth was sensitive in the years he wrote. A special impetus came to the spread of his creativity after World War II, when the communist regime took over the complete publication of works, which in the 1930 ' s had been partially unpublished.

He died on August 26, 1938. With the interest of the People's Republic of Albania, Migen's remains were brought home in 1956. In addition, Migen's title was given “, the People's Master” post-mortum in 1957.