Ministry adviser reveals Mamaqi: The hall was empty in the promotion of”I love Tropoja)

Tourism Ministry adviser Ermal Telhai has commented on Ermal Mamaqi's latest film, which, according to him, was well below expectations, while the hall at Congress Palace was more than three quarters empty.

According to Telhai, as a result of low attendance at the premiere, he was disappointed and Mamaqi himself, while adding that he regretted the cast of the film, which should be said among them, there were well known names of Albanian cinematography.

By stopping at the cover of the film, Tellhai says that none of the characters had been placed in the right place, and neither of the families, nor that tropojan, nor that one from Fier, were properly represented in the scenario.

The Telhai's full delivery:

I've seen Ermal Mamaqi's first film and I call it a very successful comedy where I've laughed without end. I went with the same expectation yesterday to the second premiere at 9:00, where I expected to laugh 10 times more, but I laughed 10 times less than in the movie “Two fingers of honey”

I waited a long line to enter the premiere, but there was no. There were more than a quarter of the seats in the hall filled. I'm so sad because a little energy, marketing and commitment that big, doesn't deserve so little presence. Perhaps this was an ill - done analysis by organisers, and in Ermal's welcoming word, disappointment appeared.

The empty room is sad!

I'm not, I don't pretend to be a critic of the movie sometimes, but as a modest connoisseur of public relations, it's up to me to react to what I expected to see in this movie.

The film began, commercialism was expected, and during the 2nd hour, I saw a commercial for a bank, a plastic clinic, a gas station, a laptop shop, a tourist agency, a furniture, a saladr, a brand of chips, a beer, a coffee shop, a brand of water, a rental shop, maybe something I don't remember. I haven't seen so many integrated ads in any film yet, so I call it excessive marketing.

At the heart of the scenario is Landi, who is named bank director in Tropoj, the area that was treated worse than the war zones in Syria for risk.

The events take place about two families, a tropian and a fieral one, in my judgment, none of which is fittingly represented.

I'm taking turns what I expected to see and what I saw:

I was expecting a tropical family head, a fanatic but regular, as I know a lot of them, but I saw a prehistoric man who can't afford to eat, who offends his wife by saying “I've been sleeping with a man” (cite from the film), who threatens with two bodigards with masks and weapons for forced marriage whose friend opened his home, and eventually changes sexual orientation.
Is this your father?

I was expecting a fanatical family head, puzzled by the time she came, not open - minded but worthy ma'am, who, despite poverty and the mentality of the day, has managed to raise and educate many children. For I saw an image disfigured with eyebrows, ignorant, who could neither speak nor eat, nor fit, nor behave.
Is this your mother?

I expected a oppressed girl, afraid of her prejudgmental thinking by the authority of male family members. In fact, that was the role that seemed more original to me, played by a trothropa and went, and I liked the commism, but the established conkechist sʹmu seemed right.

I expected my family boys to be immigrants to London as well as filmmakers, but regular immigrants who work hard and help my family, but I saw two boys who were first involved in drugs, and the second - whose role my friend Julian Deda plays - had married an elderly man for letters or an inheritance and who threatened his brother with a gun to his head.

There may be cases like this, but are these the tropot guys to be promoted?

I expected to see a traditional wedding as a happy ending, conveying messages against prejudices and stigmatisations but comical approaches, as well as elements of different family cultures but living under an umbrella called Albanian. In fact, I saw a wedding with masks and tins at the entrance, where it broke out with fists, guns, dishes and hands, and if that wasn't enough, it closes with the groom's “date”, who calls the tropons sons of who want to marry their grandson and for this action, the family head troth says “to the man <xbravorevo man”.

Is this the tradition of our families? Is that what we should follow to the viewers through comedy?
If any of you who saw the movie, you've come to understand the message, you're willing to tell me.

I tried hard, but I couldn't understand!