Renowned writer Kasem Trebsenia Changes Lives

The renowned writer Kassem Trebsenia passed away at the age of 91. He had long lived in Ankara, Turkey, at his daughter's home.
His lifeless body arrived in Albania today and has been forwarded to the last apartment in Tirana's cemetery at 2: 00 a.m.

Kasem Trebushena was born in Berat on August 8, 1926.

Trebshanna started her studies at the Normal Elbasan School, but stopped in 1942 when it was activated in the National Liberation War. After the establishment of the communist regime in Albania, he served as an officer of the People's Defence Directorate, which was a Yugoslav counterpart, and headed by Koci Xoxe.
The tribushena also suspended high studies at Leningrad's “Ostrovski” Theatre Institute and dedicated itself to literary creativity. In 1961 he manages to publish the poem “Artan and Minéja, or final shadows, of the” mountains and an unnamed Garsia Lorca translation.

Kassem Trebshina was known as a writer in the last decade of the 20th century. This fact is initially linked to his open political rebellion, then to literary instability. Active participants in the Nationalist War at an early age, he did not agree with the monstrous policy of the number one party he attended; he directly rejected him, especially for the orientation he was giving literature and arts. His attitude was imprisoned, and his works were preserved in manuscripts.
His letter “Promemorje” for Enver Hoxha, written on October 5, 1953, and published after the fall of communism, condemns the deployment of power “to one-day” in World Post-war Albania and the installation of the socialist Realism Method, which Casem Trebshaws himself identified with a most strange censorship.

After the fall of communism, it began to be promoted as a dissident by taking on a memo that was said to have sent Enver Hoxha in 1953, which criticized the method of socialist realism. The authenticity of this claim, however, has been questioned and the prophecy has been called invention, made with the sole purpose of declaring the dissident Trebeste and damaging the image of writer Ismail Kadare, who refused to be called dissident.

Most of Trebushena's works have started to be published in early '{0}'90s in Pristina: Season season, 1991; Mecca, Turkish melodies, 1994; The story of those who are São, drama, 1995, skeleton trader, 2006, Song for Kosovo, 2007, States of the centuries, 2007 and Tirana: Legend of what went away (reprint of the season season), 1992, Time now, place here, 1992; Caesar departs for war, 1993; Golgotha Street, 1993; Freedom and satire 1994: Shadows of the centuries, 1996; Dream and shade drama; 1996, etc. However, most of Kassem Trebsena's work is still in manuscript: 18 volumes of poetry, 42 plays, 21 novels, and stories, etc.

For critics, Trebesh's works stand between the quetelian tradition and surrealism, but he himself likes to call it symbolic practice. Casem Trebshina is a prophet named Robert Elsie in an article in 1992. Given the fact that much of Kassem Trebesne's work is unpublished, as a result of hostile climates and censorship. The Albanian literature work's site, remains undefined. Most of the Trebshanne work is in print, the number thought to reach up to 140 manuscripts, collections of poetry, stories, novels, novels, plays, comedy, tragics, critical writings, essays and publicistics. As early as the '50s, he began writing differently from the works published at the time.

The “Stina of the seasons” is the most representative work of those published to date by Casem Trebesena, which has attracted the attention of critics and literature scholars. Three novels are included in this volume: “Season time”, “Odin Mondvalsen” and “The village on seven hills” or “Albanian Captain”. And the first and third novel is the object of childhood in an out-of-the-tub fall that is usually identical to this age (the season of seasons) and with history-lozoque loads that exceed childhood ( The village over seven hills), the other novel, “Odin Mondvalsen”, represents a particular quality both in terms of reflection and confessional techniques.