It's time to talk seriously about McCrease and Lyrical Son.

Their lyrical expectations have recently begun to remain in the shadow of insistence to work with the same producers constantly, writes Periscope.

We think, the level of production in Allty's music album is brilliant, hand in heart, but after so many years and so many albums with the same team of producers mostly K Master, there is clearly some inexplicable and unclear monotony in material.

Despite that, according to reports, it's only the first half of the album, the songs are mediocre-level, but despite that, they don't give you any great enthusiasm for coming back after you give them the first chance.

Wordplay from Kresha, Flow and 'impressive' all of this comes to mind while you're listening but it's never really turned on and exult in what you're hearing.

Cresca's persistent insinuation to show his skills and intellect, often strained and done, gives the album a bit of a bit of a shade, since it's things we already already know and we're very familiar with that kind of gap.

The combination of words with the determination of impromis to reveal all-out knowledge regardless of how impressive this may be makes Cresha prisoner to his intellect, losing intuition to really feel sense in what he sometimes says.

When we hear Kresha's repours in such songs as the Shahies Canga, Paret Leyla, JCVD, Long Road and Gunners, they give you the feeling that Wikipedia and the dictionary are working together to create loose rhymes, which are just words of not as profound meaning as you might really think.

Despite impressive flights on occasion, on making Kresha into almost most of the rhymes, putting in a bore and sloth to listen to him, we're always talking about Ally's music album.

All of this that we mentioned above seems to be improved and eliminated when we talk about Lyrical Son, who on nearly every rapture except at the Palret Leyla·laʹ where unfortunately he fails is much cleaner and clearer in the historical, social, sports and other references, which he refers to and you can really understand without having to enter Wikipedia, as if to understand a metaphor that is not so necessary on that form.

For a long time, we have allowed him to slip into consciousness a little more deliberately, forgiving them because of their impressive skills as a rapper, but the aspect of creditable trust in the double - rapture is certainly one of their weakest points.

When they talk about things that are related to murder, weapons, violence, and shooting, it's hard that someone who really listens to them believes they're about that life.

Despite this, however, they insist that they constantly present that life - style as if it really is certain death to fuck with them.

From one to ten, one, as far as faithfulness is concerned about living it or living it.

Just two collaborations, the Ledri Voula and Elvana Gjata, while the songs with the focus of romance and private relations are the strongest point of this album, without a doubt.

Beats are fine, but not beyond what we've heard so far from the K Master, who looks like the two are hugely indebted and respect them to the point that they refuse to work with other producers to develop the rout and expand the range and artistic alignment in different sounds.

Artistic perspective on one hand, McKresha and Lyrical Son should be among the weaker and most unsallied managers around.

None of the artists who were recruited to the Pble INT has not met expectations. Perhaps, with the Semiautomatic exception here, because he was the most zealous of the work ethic by young artists in PINT, but his materials were never expected and followed with great enthusiasm by the audience.

The Lion, who was seen as the most promising artist to succeed and to continue the pride that would leave behind two hip-hop mogunes, has seen a dramatic decline since he joined the Kresha and Lyricali team, washing some projects there and here, as long as there's been constant delays and inexplicable delays which make the impression that they are becoming more because of negligence and irresponsibility in launching his first long anticipated album.

Moscow's flight from PINT to continue his career as an independent, which led him to be the best decision he could take into account the way his career went after leaving this company followed by the removal of Blackie to continue as an independent and self-inflicted leader from Fatos Bomba's horizon, underlines that things do not go well in the world .

Strangely enough that none of the young artists have cooperation in the first part of Allia's music, but maybe we can hear more of them on the second part of the project, otherwise it's a gross lack of trust in their artists if they don't show up at all on this album. /Periscope. com/