Mike and Dafina Zeqiri's new song, except that it's been stolen by Serbs, it's too bad.

Political correctness by one hand, the latest project of this pair is simply in vain.

Written with inflexibility and impressive notal, the story of course is half and never seems to explain, develop and convey the message that he claims to convey to the audience, writes Periscope.

It's just bad text, trying to cover up with the glamur of the famous figures from which it's interpreted. Hand in heart, it's just bad business for both artists.

Miss Zeqiri has to reflect broadly in a professional way, since melodies like this ʹsi, tii, like tii, have used them even earlier and the moment she makes such a repetition in song, underlines the theory that she has been spent and left without the idea of unique and innovative materials... something we had seen in her last album, which, despite being well interpreted, had extremely weak production value.

As if a repeat is not enough, Mike's performance is also nothing more than a return to his old love, which is protracted vowels, which he diligently cultivates in each song as if he were doing it for the first time. He's just making zero attempts to develop as an artist and to upgrade him to another level of rule, recreate the same songs over and over again.

In addition to all these weaknesses, this song is even emerging as being stolen by two Serbian singers.

Oh my God... imagine stealing a song and getting so bad. Heavy, especially for someone like Dafina Zeqiri, who has always been viewed as the most unique artist in the Kosovar Estrada, detecting trends, lowering the level to this point to steal a bad song, is simply beyond the frames of acceptance and leading us to the only logical explanation that our singers just care no more about anything other than the tasteless crowd's milking audience until the time wheel steps down and leaves it in history, as has many other artists so far. /Periscope. com/