Ear orgasm, Riina's 18-sense statement is a moment of hope and a revival for the old highway.

Amid degradation with incredible consistency, it seems that the depressive artistic system has influenced one to reflect on someone and to truly understand the weight and impact of society, writes Periscope.

The responsibility should be held absolutely by each artist for the materials he throws. Although bad art is not condemned by law, there simply should be no worse feeling than when you look in the mirror and you realize that you've made stupid music all your life and it's been your only contribution to the planet.

Rina, seems to have reflected and taken the right path. In fact, you shouldn't even listen to her last statement to understand that she has decided to end degradation and to give wings to the expressives.

Since her relationship with SinBoy, her career has taken a different turn... focused on the artistic and emotional side of projects, streaming into them parts of her personal life, her back behind what is sold and her expression is so begging.

Money

But right here is the solution, which those (most of the estrada) are simply not having an Orthodox way to get into the head... good music builds up a network of artistic life expectancy, simultaneously adding material income, but part of Kosovo artists clearly don't think beyond the box, while focusing on fast money, which ensures its rapid decline, and then depression is safe because there's nothing more serious about it than when they're free and famous.

Rina is a light thread at the bottom of the hole. Her latest mix with SinBoy is fresh air breathing from polluting toxicity among artists and their works.

Songs like Aquarius and Meredith are not to die of excitement, but they have much greater impact than the artist himself might think.

In fact, she has clearly not understood the very impact she may have had and believes that it is still heard only by 12 to 21-year-olds, as she points out on the show "8àCHAh with Adelina Ishmael.

However, what the lady says after asking” why a young girl in Kosovo chose such serious topics, and not something commercial”, is exactly what we want to hear and we've been waiting to hear it for so long.

Ignoring the way the question, which is simply executed banally, Rina's response is to lift hats.

It's not a problem. That I could make a lot of money out of it, that is, I use a public to make money out of that stupid music that is.

Well, it's important that people see the world as I see it. No, no, no, no. ”

Right to say that 18 seconds since it took Rina to say those words in the following interview are the best thing we've ever seen and heard from Estrada for all these summer months, despite being so simple and artulous with nosalm.

Rarely do we hear an artist actually conducting a sincere and educational interview.

Questions from journalists are usually served in the form of "alley-oop," smoothing his arms and asking what the artist wants to hear, not the audience.

Hard to say, but much of the journalists and television faces clearly seem more interested in forming friendship ties with artists for personal fulfillment than in getting something private from the minute they spend interviewing him.

Below, from 11:07, the word that should be cemented in the music industry building, which does not exist, but, if it existed, would have to be placed with a large letter platform to serve as an initial manual for anyone who decides to switch to music. /Periscope. com/