Why does our industry treat 1.8 million Kosovars as fools?

Or, maybe they're just not so good at what they do and so far it's their artistic potential, who knows...

However, it is difficult to understand the degradation of our artists and leaders to this level, taking into account the benefits and financial opportunities offered to bring in material in progress with other countries in the region.

Honestly, it's hard to criticize everything but it's been so many years and no one has said a word. Perhaps in anticipation of improving the situation, perhaps because of chronic depression resulting from being the most isolated state in Europe... words have been few.

The hand of the heart is not good news for some in the Estrades.

We understand that so far they have been in an extremely comfortable area, while no one has had the time and will to deal in detail with the content they throw into the market.

Perhaps the responsibility lies with the media as much as theirs. We simply do not read or see anything corresponding in our day, especially when it involves art and entrade.

All a man sees when a singer puts a material on the market is” name/name) comes with a new summer hit” and things like that. Like millions of massive marketing clicks and marketing teams they don't have to help them, even newspapers decide to give them a push, sometimes for no clear reason, but only because some journalist who works at some X editorial has been without news and throws a fast-pass on the network.

Several container writings have been published by Periscop's Republic regarding estrada degradation, and complaints and calls to erase them have not been listed.

Really interesting is the world in which our artists live or claim to live... they love them all, they support most people as long as not all the media, they don't pay taxes and they can't finally afford a critical scripture.

What we're impressed with during this time is the audience's response to the publication of certain articles, we call them self - awareness.

Much of the commentators have offended and made insult by the most deignive because we have decided to say STOP the abuse of popular artists. The lack of constructive criticism and, on the other hand, anti-artistic projects have been in such long periods that it now seems strange and a little bit of criticism for those who end up being enriched by the poorest population in Rion.

The silence of the media and the audience's radio mostly coinciden with our industry, which also continues to reach the population, untouched and spared everything, and anyone who disagrees and refuses to buy it for art, that only art is not.

Tayna recently said: ”Tri concert plays nightly, so the pocket never dry. ”

Hmm... we mean physically and mentally, how is that possible?

A performance requires hours of preparation and commitment so that the public can take in what the artist requires of him. But no, no one cares much about it, much less singer/s who, of course, if he could, would do ten concerts per night, not think too much about the level of public appearance.

So, we come to the question, why does this Estrad treat us as ignorant and stupid? In addition to some, we rarely see that they really create something that is worth wasting time on and that we have even one thought, positive or negative.

The album is the identification of any artist, but in Kosovo very few find practice. Of course, an album requires a lot of work, will and commitment, which probably financially would have the same effect today's method of our estrada... song-clip, song-clip without any concrete or long-term plans, namely general melons for a period before they go off forever.

To be honest, the lack of albums has been mostly evident to singers (children), as men have tried to bring in quality and projects where more than ten songs are included. (We're sorry, it's not about gender warfare, and we punish the sextic language severely, but here's what we're dealing with indiscreet sex.)

In fact, before the project MMH from Rina and SinBoy é, who has some brilliant songs by the way, listen when you can, we forgot when a female artist brought an album.

We don't have anything against the train of their hip-hops recently, but for most of us, life is not just a party and a nod at music.

To really connect to an artist and create some long-term sympathy, not seasonal, a true fan wants to hear even the artist's emotional side... wants to hear and see his version when he/she's not opening champagne, and promoting expensive clothes and cars... wants to see the part that does us all.

It's impossible to think of artists we idolize as not human beings like all of us, and that they never feel bad, they've never faced depression and social uncertainty, they've never felt ashamed and humiliated... if all of this has been transmitted to a fan that's facing the same problems, imagine what aided them would be to know that their idol had or had the same problems as they have. After all, if this side is ignored or does not appear to exist to them at all, it is as if we were all part of a great lie.

Pick up hats for David from Dafina Zeqiri.

But don't get misunderstood, not that we're against festive and fun projects, but there's a little bit of balance between incarnation and emotional and festive.

However, when the emotional side is less rare than the penguin in the Sahara, and here we see what we're seeing now, then we're forced to ask... why does our industry treat 1.8 million Kosovars as fools? /Periscope. com/