What did I learn after hearing Dafina Zeqiri's album ten times?

After all, it's ID. No one in the world takes it seriously unless there is at least one mixtape or a product that includes more than five songs.

The song-klip method, the song-clip that applies the Kosovo highway, is clearly the greatest lack of respect that can be done and expressed by a common listener.

However, Dafina Zeqiri recently released the album Dhafia as well as dignified enough to hear him more than once.

In fact, after listening to it ten times, we did not think that it would cause us to freeze our eyebrows and open our mouths, as did smokers when they form smoke circles to impress others. In the midst of 14 published songs, it's hard to find one who has no hearing value.

It's brilliantly interpreted. Frankly, Zeqiri has done what we thought was impossible to do by someone on our journey, after all the artistic degradation we heard this summer. As for the singer in question, we will never forgive her for the crime she did with Happy Birthday, writes Periscope.

The ability to find catchy tunes in almost every song in the album makes Dyfine Mojʹ one of the best projects we've heard in recent years.

Along with it, Dimir from Buta, Dafine Mojʹ must be said to be the album with the most of its long-lasting recovery values.

Almost every song is dignified for clips and possibly real for each to become a hit. Thus, maximum respect for the determination to get involved in an album instead of being preserved and released by clips every 2-3 months.

To be honest, we were convinced that this project would not meet expectations.

But, hey... we're more than happy to be injured, and that's exactly what happened, but not that everything is perfect... it doesn't work out like that, as you're going to understand.

Initially, it should be said that the strongest point of the album is the artist himself. The Zeqiri has adapted a remarkable ability to interpret with the impressive veracity of the melodic lines, which seems to have been carefully created of robotic delicateness to fit into your head.

Find the most boring poetry in the world and offer it to the lady, she has the potential to turn into super songs.

Unless she's trying to rap, let's just say she's done her job perfectly.

However, the technical part of the project clearly has weaknesses. In each song, dozens of people are mentioned as instrumental creditors, mixers, vocal melodies, text, and other things.

Although the role of each member mentioned in this album is unclear, it should be said that the most vulnerable point remains ʹbeatat '% or instrument.

They sound very boring, without any explosive elements that can be involved in a lot if you're a creative and professional producer, considering the establishment and engineering advance of equipment and programs that offer countless options.

The mix is brilliant, as the Zeqiri's performance in each song is loud and clear, but it should be said that the production team has failed to make the best of itself, despite the project that has surpassed our expectations.

The weakest song must be the best mega bo nanaı, in collaboration with Eliel. We don't ever want to hear Dafina do rap anymore, but even here, to admire the veracity and veschi·veshiʹ to change the word "flowin" even overshadowing her counterpart in the song, who has years of light experience in this voice.

However, commitment to rap casts a bad shadow on its artistic values also shows uncertainty and immatureness in its ability to do what is best.

As for participants in the album, the B River performs its lowest, while McKresha was in charge. Despite failing on recent projects to avoid similarity in each song with émaforinı, the most hardworking rap-artist in intellectual education remains on the text. The man starts the retour with Silvestre Stallon, swingin' like a salon piper...

The experimental sounds in the song "Sunny Hill" by Zeqiri are also brilliant and something we want to hear more on the way.

Kourder on the danceflower, absolutely the best song of the project... but oh my God, the instrument, just terrible as happens in any of the songs, except Whatever.

For lifts of hats, even though it was a bit surprising that the album was released on all platforms on the same day, consider the reluctance of people to buy valuable physical copies of 10 euros in Gjairafaı, when at the same time they can hear it free of charge in the Zeqii Canal at the news YouTube.

Explain: The last paragraph is not fully correct. The album is not launched on all platforms at the same time. The physical copy had two weeks' exclusiveity until October 1st, when it was published on other platforms. /Periscope. com/