The rare confession of Rama's ex-wife speaks of the common son, Linda and Eddie

35 years later, after a silent life after abandoning her career to be a mother, after the difficult separation not only with cinematics but also with her only son, Matilda tried to rebuild her life, but the difficulties were great.

For all of this, she does not today refuse to speak, even without many major injuries, but like obstacles to a life course that Mathilda Makoci tells her about the journalist at AA2.

What directors chose in the '80s as the heroin of their cinematographic productions, as it rose immediately, so it left. Yet, everyone remembers it.

I've been in intensive work. I've been involved with theater, cinema, television. I had an active life. Nice memories of work, but people. Actors of that period have been unique, beautiful. I was young, and I took it naturally. People met me on the street, they told me; do your hair like this, do it like that. They gave me different advice. I just liked it. When I moved to Greece, there I was not in this communication opportunity, and I learned. I already have it as an emotion and I say; oh god I remember”, she said.

The remaining “hije after” is one of the best movies it has made. She and Jevdet Ferri were even rated at the time as two of the best cinematography actors. And when we ask him about this movie, Mathilda Makochi modestly doesn't confess anything to himself, but starts with the regret that Jevdet Ferri, the memorable portrait of cinematography, will lack much of the seventh art.

For her, the best movie she's ever made is “not to keep quiet”, where she interprets alongside Xhapa's Rudice. “Filmi was very successful. But the result of this success should be taken into account was Jevdet, since he was the lead actor. I've had it at school, and we've met professionally in the movie After the Days. Jevdet has been a good, handsome, simple, loving, capable son. It's been a lot of artistic requests, always looking at the materials.

Not everyone remembers it, and not everyone remembers its roles at the National Theatre, like Bianca in the “The debut of the stubborn”, or like Juliet in Shakespeare's immortal romance. She still loves theater magic. It is at its brightest time that Matilda Makoci is linked to Edi Rama, today Albania's prime minister, once a rebel artist, as is the actress himself. Greg Rama is born from his marriage, today's eldest son of the prime minister, also an artist who followed his father's path to visual art media.

At the house where Matilda lives, there are traces of this time of the picture of Eddie and Greg Rama.

Her marriage to Eddie Rama would not last long. Mathilda Makochi asked to support her son, but she soon realized that being a mother was as good as an actress was difficult. At some point in his life, he had to decide. She chose to be Greg's mother, thus abandoning cinematography.

I was forced because that's how the terms came. My parents were young, you can't help me keep it. I tried and took her to the nursery somewhere. It was. The years went by, I got used to work. That pace of work faded, so I left. I'm not sorry, but I don't miss that time. I've been taking my next time”, she stressed.

In her apartment today, she finds only traces of Greg and Edith, as she continues to call Matilda Makochi her youth companion. In the waiting room, there are three paintings of Edi Rama, a portrait of hers realized those years of travel together and two other works. In the next room, a work of Greg, now an adult and independent. He has sought to remain alone and has respected her son's decision. He stays alone. They had taken him for days when the earthquake struck, and he stayed there a few days. Take your comfort. It's not like I'm staying in one place and going to my dad's, and it's not for a condom. He's on his own, he likes it so much. On his own terms, with his friends. Edith's wife, she's a very good woman.

Mathilda Makochi, calm now who has fulfilled her motherly duty and to avoid feeling alone, returns to her mother's apartment, feels like wanting to return, perhaps with a role in the theater, and is not afraid to say so. She wants to try. Perhaps it will not be simple, she says as she recalls how difficult it was when Greg was young and offered him a good opportunity in a Greek series. She is not afraid to say that she could not handle it. The series “Mics” could have changed life, but even then the mother's feeling was stronger than that of the actress.