History of earrings; All Women Want

The story of one of the most loving female accessors, but not alone! How it became part of human culture, from its Mystique point of view to the massification and fainting of precious stones and metals.

Stolites entered mankind's life at the age of metal shows, such as a decorative device. Unlike many history of objects that have entered the fashion world from antiquity until now, the earrings are the only ones who have become part of people's lives as an ornament of superstitious origin.

Love for earrings is not just a matter of style, for it contains special symbols and meanings. In many tribes in Africa, women bear earrings as symbols of seduction, eroticism, and feminity. The earrings from ancient times appear as a symbol of wealth, spreading to civilizations like thalismania.

First of copper and bronze, then of silver and gold, the oldest models date back to 2400 years before Christ, with pompous forms discovered during archaeological research in Troy. They shaped triangles and were massive, while in the Egyptian period they appear in more sophisticated form, like two chains with extreme lengths.

Most were kept in ears and noses but also in other parts of the body, such as lips. The first models thought to be the most authentic belong to the Etruscan - shaped period of archs decorated with beads. Up until the IV century, earrings patterns are changing and changing, becoming more refined, associating with carvings or jewels, becoming an integral part of women's accessors.

The wombs became widely in European fashion during the Middle Ages and Renaissance period. The Courts held them as a indicator of wealth, and sailors to pay for the tomb in case the ship drowned. Gothic forms were most popular in the 15th century, where the figures inspired by Renaissance artists began to appear. The first modern pattern of earrings is found in the 17th and 18: but what stands out during the Victorian period was that holding earrings was a requirement for married women as an identifying symbol of female status.

The irregularly shaped pearls became a loving accessor to women in the 19th century, associated with elegant compositions that were conceived by Italians, widely spreading to Europe. French earrings had extravagant shapes, spilt cross - shaped patterns, and in England the earrings were decorated with precious stones, such as diamonds, rubies, emeralds, and topaz. In Venice, gold and silver earrings with small beads and delicate arches were created, developing linear shapes.

Only in the 19th century did known brands begin to devote their collections to various kinds of earrings, including in the jewelry world, such a desirable access to women. Known houses of precious metal processing like: Cartier in Paris, Garrard in London and Tiffany in New York designed and produced dozens, mainly very expensive models of precious stones often designed by great artists of the era.

As demand increased, the earrings could not only be an accessory for those who could afford financial opportunities, so the many models also fascinated all women and girls during 1950. Inspired by geometric forms, they became an integral part of fashionable homes. I love the hots with precious stones, especially those that are large with diamonds that shine like the sun or red rub like the blood. It looks like all the light falls on you, especially when it's Alexis Beatar, Kenneth Jay Lane, or the jewels of Bultler & Wilson-exposed Joan Collins, one of the figures that is inextricably linked to the ornaments of precious brands.

But not everyone wants to have earrings that cost thousands of dollars. Most love a pair of those uses, which the next day you don't care if you fell somewhere, so it also started massaging this loving accessory to women. All of a sudden, New York began rivaling Paris by massively producing this accessory, because the famous European jewelry houses could not be expected to sell expensive but cheap earrings from metals to plastic, paper, or textiles, turning them into the most beloved object for each woman in the 1980s.

As the New York Times predicted in the 1920 ' s, earrings were no longer a jewelry item in the future, they began to be produced massively, with no value in the aspect of jewelry. They became a social accessory by eliminating precious stones or materials like gold and silver in their works, even though dozens of popular jewelry houses continue to create several million dollars each year.

Even though it is far from shocking, in the 1980 ' s, men once again embraced this ancient form of jewelry, dramatically changing their nesting techniques. The element that made the earring necessary for everyone was the piercing of the ear, and the first models were created that did not necessarily require it, but by means of a grip, anyone could maintain this accessory even temporarily. “Ah, I love the romance of the spontaneous earrings, not the diamond, but the simple ones that are cooled by the wind as Kate Winslet walks”, as if to justify the fact that this accessor has now become a part of every woman's life.

In the early 1990 ' s, the era of silver earrings ruled, winning success in fragility and natural splendor, with forms from the most microscopic to the most massive, monochromatic or minimalistic versions. After that, the chandeliers dominate the earrings, especially their appeal. Right now, large earrings, giant rings, chains that stretch to the chest, disrupting the traditional image of classics, and this under the influence of fashions. I like clothes. They look fantastic if you combine them with a pair of super large earrings” Poppy Delavigne.

Far - flung Asia turned to attention in the 2000 ' s, the earring called the Hand of Fatime, a single - eyed palm in the center, symbolized protection from the evil eye. The same years are restored by models that have Lotus ' flower, which came from Eastern culture as a symbol of loyalty and good fortune. Petales, large flowers, to fruits and vegetables, are so evident in designer designs known among them Dolce and Gabbana under the influence of Mediterranean elements.