The plant tells about the truth behind his book

“Po e Zi” holds the youngest book of poetry from the rapper, which has already been sold everywhere and promoted to book fairs. In an exclusive story about the Telegraph, BimBimma talks about this very special project which already raised to another level in his career. Among other things, it also tells of the difficulties the book's authors face as well as the current state of music “rap” in the country.

Bim, you've recently published your newest poetry book, “Black”. How did the idea of publishing this book come about?

As the first point, I've never started writing as a book (saying: "I'm sitting down to write a book), but by myself I've got a lot of written texts that are named poetry, at least not classical poetry, but modern poetry, I've thought to sum up in a volume. To have a book that can be used especially by new generations, to use as a dictionary, as a philosopher, as a mirror of what happened over the last 20 years.

After describing myself as a chemist of the word, which means that it's kind of a biography or as a few words about the author, it's the first poem called the chemist, the chemist in his lab cooks the products with chemical elements, for them and I've named the book “Po and black”, in the quality of a boiling person.

Unlike the rappers and other writers, you continue to write by hand and remain a fanatic to the book. How did you maintain that attitude?

It's not hard to maintain attitude toward the notebook and the pencil as a creative tool, because we're growing up in the hip-hop of the 1990s, and it's been the only place we could write, so pencil and paper that remains my creative compass in which I paint words.

You also promoted him to the Book Fair in Pec and Pristina. How did he expect fans?

The Pec Book Fair has not had much interest in the event, the fair's entire event has had very little interest, always compared with the Book Fair in Pristina. Fansa had because I got a lot of messages from the type: when does he come to Pec?

By publishing the book, I believe you've had the opportunity to get to know each other closely with the problems the authors face in publishing books. For those who know how hard it is to get to finalize a book?

It's not a problem if you have financial support or if you have the finance to cover the cost of the press, but one of the difficulties I've learned with the publication of the book is that if you make the book part of a publishing house, then the publishing house you look for the rights of the book, it means you as author and you get a certain percentage, which is much less than half of what you sell as an author. While others are not, the biggest challenge is the work and time to get the book to write.

Of all the poetry in the book, do you have any favorites?

If I prefer it or have it all, because out of more than 1,000 texts, I've selected 36 titles, so they're usually the ones that remain my favorites and that have been melted up or said they're better named as original-end poetry, but maybe I'll separate: “for you”, <x>Numer non-x3>, “April”, <xandra<7>, <x> <x> and <x>

When we're at the profits. Is the publication of a financial book worth the market today?

I having spiritual views of life, for me finances are not so important. If you start publishing a book to earn money from it, then you have to be some Bukowski, some Paolo Cuelo, Franz Kafka, etc., but in terms of financial gains and financial gains of the book, it's not a field in which the author is trying to provide an example to provide finance, to live, but it's to ensure that finance continues its creativity, and that's not difficult, because if you have good work then it will be sold and distributed.

What do you think of the current state of music “rap” in the country?

“Rap” currently does not exist, or is disappearing, because “rap” has been converted to “ “)rap”, in “reggaeton”, “haldance-haldance <x10fro-tra-trapa x11>, so that “rap <x” is music which is being lost, but it has managed to do what it's created to do, because it's going to make people move, which problems they have to be able to deal with, so that's where the current <x-114 then it's also has been used to be used to be used to use some other characters and then have a different types of individual users and then it's also, because it's at the same time and then it's where they's going to use the same number of the other types <ex/ are also have a different types of the names are also. I wish there was more original access to all music makers “rap”.

Meanwhile, in music, what are the projects you're working on?

I also launched the album that has 20 songs, seven of which you've only heard because they're also clippings, and there's 13 new songs, unknown to the public, so these are the projects I'm working on.

Bim, thank you so much for the interview. Finally, a message of yours directed to all the readers of Telegrafi?

Thank you for the interview. My message to the reader of Telegrafie, maybe it wouldn't have been something specific. However, my message to songmakers is: “Know that you are in the quality of the third teacher of young people, because first they are your parents, the school comes in second, and you're the eighth educators, so careful with the statement, careful with the creations, because you've got the focal power in young people's lives.