What really happens in movies, erotic movies

What really happens in movies, erotic movies

Nicole Kidman often remembers the past weeks in the movie square “Eyes Side Shut” (1999) with the then former husband Tom Cruise and the Stanley Kubrick cinematist. The actress has touched on the problem of erotic scenes performed on that occasion and the difficulties encountered in shooting, shedding light on one of the most difficult things [...]

The actress has touched on the problem of erotic scenes performed with that case and the difficulties encountered in shooting, shedding light on one of the most difficult things of work as an actor.

Also associated with this problem are Keira Knightley, Hilary Shank, Charlie Theron, Sharon Stone, Chloe Sevigny, Cléménce Poe, Natalie Dormer and Maria Schweider. Nicole Kidman relates that at first Stanley made up his mind and convinced him to film erotic scenes, even achieving extremes that they did not appear in the movie at all. I did everything because I felt safe. I never thought it was a meaningless situation. The fact that Stanley had a daughter made me feel safe and secure. She used to hang out with me like I had a dad”, shows the actress. Trusting the director is important, but that may not be enough, especially if the movie partner is not your husband, as in Kidman's case. Says what actress Natalie Dormer, interpreting Anna Bolena on television series “Tudor”: “is a traumatic experience, really. It is never easy, so you have to trust the screenwriter and the director to be sure that nakedness will not always prevail.

I can compare this with the medical visits we women make: it is never pleasant, but it does it for a good purpose”. In fact, there are different ways to help actors and actors. For example, sheets can be used strategically, meaning to the audience that they're completely naked when they're actually not. And if the director wants to have “massification” be safe, not accidentally discovered, he could ask for the tailors to sew clothes in their meat color.

The right music and combined erotic scenes can then make the film memorable by keeping the private parts of the body undiscovered. If there is an unusual scene, it can be corrected with the so-called closed set: only movie director and protagonist stand at the square, while everyone else is thrown out. This is an unwritten rule in the world of cinema, but used by director Nicolas Roeg for the film “in Venice... a colourful red December”, with actors Donald Sutherland and Julie Christie making a hot scene of love that later entered history.

I didn't tell them specific instructions about what to do. It was an intimate scene, looking for an intimate shoot, so I thought it was enough for them, me and cameraman”, recalls Roeg. The case demonstrated by director Nicolas Roeg should be an example for everyone else. There are no exceptions to this.

During the filming of erotic scenes, unnecessary persons must go outside. For good reason, some actresses include in their contracts a clause that prohibits nakedness. This is Julia Roberts, Scarlett Johansson and Sarah Jessica Parker. But there are also those who agree to get naked, but with a different kind of clause, the so-called “reder”, which is translated: “I'm naked, but I'm saying the last word for the monothage of those” scenes. In this category are Charlyze Theron, Neve Campbell and Sharon Stone. Smash is difficult for people, imagine how difficult a square is and how many people see you.

However, this too has an antidote. For example, what Cléménce Poesy, Fleur Delacour and Harry Potter say: “Njoh people like Keira Knightley who return a few glasses of alcohol before shooting. As far as I'm concerned, I'm able to manage the situation by not looking at those scenes again, since I interpret”. As actors point out, each film has its own difficulty.

Chloe Sevigny, for example, had no problem making the film “Broen Bunny” (regitor and co-protagonist was Vincet Gallo). Even remembering the love scene between her and the Hilary Sannk performed on the film “Boys Don formerly Cry”, says: “Everything was choreography. The director talked to us all the time, instructing us what to do. He kept saying put your hand here, hold your head like this, and now you'll have an orgasm. I mean, it's easy when someone drives you this exactly”.

But things don't always go well, despite the security network around us. In 2007, 35 years after interpreting an erotic scene along with Marlon Brando (in the film “The last tango in Paris”), Maria Schweider declared: “Marlon kept telling me not to worry, which was just a movie, but while I was aware that what I was doing was not real, I really cried. I felt a little raped” /GS

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