This kid has something genius. Germans say about Albanian Jonian Kadesha

This kid has something genius. Germans say about Albanian Jonian Kadesha

What a name, what a talent. The 25-year-old violinist owns such a luxuriant sound fantasy that the jury members of different contests fail to understand what is actually happening to”. Those words are dedicated to German newspaper Süddeutsche Zeitung, violinist Ilias Kadesha, Albanian born in [...]

What a name, what a talent. The 25-year-old violinist owns such a luxuriant sound fantasy that the jury members of different contests fail to understand what is actually happening to”. Those words are devoted to German newspaper Süddeutsche Zeitung's author, violinist Ilias Kadesha, Greek-born Albanian, who has studied in Italy and Germany.

“You almost think that carrying such a ringing and exotic name at once should make sense, transmit albinfo.ch. So for a musician with remarkable talent, a name like this is really a destiny, which stands out”.

Jonian Ilias Kadesha was born in 1992 in Athens. He has Albanian-Greek roots, studied in Germany at Grigori Gislin and Italy at Paganini specialist Salvatore Accardo. He speaks all the languages of the sites mentioned and some others. It is deeply interested in literature and philosophy.

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Just seeing it as a giant talent is not enough. This guy has something original genius. Thus, he amazed the Leopold-Mozart event of Augsburg through stylistic striking safety and articulation accuracy, from baroku to the most modern. With this original musical intuition, all were amazed - some not believing it and others looking at it with scepticism.

Meanwhile, Kades as a soloist and excellent Camertal musician performed along with the greats like: Martha Argerich, Gidon Kremer oder Kim Kashkaashian and followed the maestro courses like: Steven Isserlis, Ivy Gitlis or room music stone, Eberhard Feltz. He has won awards in five international contests, records albinfo.ch. But, Kades will never give the impression of a violinist “made” or 15x2> mature”. That's because his sound fantasy is too young, unknown, untested, research and exploration, but not smooth interpretation.

At the concert, Kadesha has done so well with pianist Nicholas Rimmer first of all with Enescus's third soir to make you believe that here is the fulfillment of Claude Debussy's vision of music: “Music is a mysterious mathematics, the elements of which are part of the infinite, transmit albinfo.ch. They define the movement of water, ups, and downs of winds; nothing is more musical than a sunset! ” But even for Raven and Scalcottas, the endless sound fantasy of Kadesha finds the mysterious “matmatic “

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