The Art of Criminal Reality - Standardizing the Criminal Model Through Songs

Adorno and Horkheimer explained this phenomenon as model manufacturing by the culture industry. For them, cinematography and television were tools that could standardize what needed consumption. The mass consumption of these things constituted that popular culture.

On the other hand, frequent consultation with these tool operations i n Culture Industry It led to the extent that standards of lifestyles could be obtained. Thus, according to Adornos and Horkheimer, television and cinematography of the United States in those years produced the visual version of what remained: American dream!.

If we analyze with such an approach who it is Albanian dream! can we say that it stems from social unconsciousness of the existence of a criminal capitalism and is created by standardizing the model of making wealth as quickly as possible, regardless of costs.

Whether it is done legally or illegally, all have a dream of making money and the fastest possible way. This is because in Albanian society, the one who has more money and exposes it has more social value.

There are no cinematography in Albania. Television also ran late, and mainly its productivity is borrowed. However, beyond these two spirit mediums People's cultureIt is widely detected by online musical productivity, the producer that must be said to be extremely massive.

There is no theory that can explain how a 3-4 million population can generate a viewing consumption of tens and hundreds of millions of video screenings on YouTube platform.

Songs and artists with the greatest visibility are always young, have heavy language, strong violent context, and illegal life - style. Their main promotion is consumption and drug trafficking, this part is woven and echoed, while almost all music videos must have amazing and rare cars, expensive clothes and luxury access.

Consulting up to overdosy with millions of clicks of this 3-4-minute productivity standardizes the consumption of a fast-rich young man's fast-rich model, the young man who lives in a wild life, the young man who lives the camera and the dagger that comes from drugs.

This is the art of criminal reality for a society that in its unconsciousness has turned crime into value. The young man who makes money quickly, who shows his wealth and strength materially, is Dream of every Albanian.

Like the art of criminal reality is normalizing the criminal

In Writing The Art of Criminal Realism, showed how Albanian society built an artistic model contrary to “American dream“, based on examples standardized by the underworld. In this next scripture, we analyze how, through this belt and the media, public perceptions about illegals are changed and how illegals become normal.

Criminal Reality We call it the flow of style, to some extent, realistic, generally used in hip-hop music and its subcategories. This type of belt is aimed at spreading a code of values and views of life, based primarily on the road, and, in some cases, crime. Artists who follow this trend do not always tell truths, but they do not always lie.

In the '70s, studying the effects of television on the audience, George Gerbner found that the world of television functioned by constantly replaying shows and messages, essentially, and that other mediums applied this formula.

Gerbner explained that the long exposure of the audience in the face of this ongoing rerun could change that perceptions and ideas about reality.

The Theory Gerbner called Cultivation theoryIt showed that, through recursion, the media refer to standardized models of ideas, behavior, perceptions, currents of time, which are absorbed into media exposure.

Without further in this theory of massive communication, let us consider the characteristics of recuring, bringing up standardized perceptions, and analyze with a specific case of Criminal Reality.

In recent years, the current of time has been filled with musical successes, which deal glorifyably with bandit behavior, arms-holding, drug trafficking, or ultrasound life. One of those most remarkable messages is Noizy (Rigels Rajk), which numbers over 1.3 million followers in Instagram and over 740 million hits on his channel in YouTube.

Recently, he published new co-operation New Benz (new Benz) With the Greek artist Sink (Dimiris Giannoulis). In a passage of the song, as he remembers there 100 thousand euros in cash, Noizy rhyme “transport with vaporra”.

This is the latest version of a common motive for his songs, which means money benefited from drug trafficking.

Yes with Sink, in another partnership titled Gango, Noizy says he used to live in the streets “Just go with the gang.”, while already going for shopping In Zurich e “mez sends bags”.

There's a lot of songs where Noizy directly or implies criminal activity, but song 100 kilos,In addition to successful externality, it is also one of the most loaded with such messages.

After saying in plural “does transport below 100 kilos”, Noizy mentions the moral code of gangs that “pure work has no trick”, implying drugs with words <x0) i n “white a green”. In the song he also mentions weapons like “Beretta” (all Italian pistol) and rhyme with the word black Sorted in opening order “black businesses”.

Noizy It goes further, insisting that he himself is part of the crime world in verses “Google my name! Google my name! I'm just gonna walk away.WThe driver, but if you see a little deeper, huh? Know, I'm first”.

Not everything in the songs Noizy-It's true, but not everything's a lie.

The clock, the car, the luxury he displays in music videos, is true.

In the Song Video 100 kilos, Noizy first shows his car Ferrari 488 GTB. In one of his songs, he sings It was a lot of money, even though I never kept books”, continuing “see out of the window, have park some 5-6 beasts, 3.2 CDI now with 488 GTB” (Gango).

This is the visual aspect, which the audience takes to trueness and overlaps to this artist's narrator, the narrative that primarily indicates or implies criminal activity.

Narcotics, gangs, guns, and large money are the principal messages of dozens of songs Noizy-tos, songs seen hundreds of millions of times.

With this ongoing review, the audience has been stripped of initial perceptions and ideas about these activities.

Although the weapons are prohibited and tax evasion, drug trafficking and gang organisation are serious criminal acts, thanks to the art of the flow of criminal reality, the audience has begun to accept these phenomena as normal and as an example to follow.

<x0)It's got all the ignorant all over it, domethon séke eds, doesn't make it sound so strange among people bema'ma's” Gunz Up. Nozy boys If you don't get it, you get it. The worst

Repeating the message, that Small white and green transport brings money big enough to buy Ferraris, makes the audience believe and aspires to this quickly enriched way.

In the criminal realism experience, the example conveyed to a continuous repeat shows absolute impunity. Never Noizy and other artists did not say they were detained, arrested or imprisoned by police.

This is the next indirect message for the audience: impunity. While in the news coverage, the audience can often learn about the arrests of criminals, traffickers who are caught in large quantities of drugs, or those whose wealth is seized, in the art of criminal realism this never happens.

The great number of followers, as well as the tremendous impact social networks have on people, make characters like that Noizy detect or determine what time and what is not. He is aware of this. NoizyWho declares thatIf you s'ke for us, then you're going to have to say hecke with the time” (Grande). So, Nozy is the dictater of the current what is of time and what is not.

1.3 million followers watch beyond music videos, see aspects of the daily Noizy- those who, although there are as many actings as in music videos, the audience perceives as The Truth of His Life and builds reference points based on his example.

Purpose justifys tool and, if Albanian society's goal is realisation Albanian dream,Which we have written before, then this explains why the audience is no longer scandalized, is not shocked, nor condemns these manifestations of criminal reality.

Because after a continuous exposure to recurses of such messages, for the perception of the Albanian audience, the illegal has already returned to normal. /Exit.al/