Indications that the Academy may cancel the Nobel Prize for Handken, the immediately recognised event sends them a letter

Renowned Albanian event, once Kosovo Liberation Army political representative Bardjel Mahmut, has written a letter to the Swedish Academy about the Nobel Prize for Literature that divided Austrian writer Peter Handke days ago. Nobel for Handken, known as a worshiper of Serbian dictator Slobodan Milosevic, caused the Swedish Academy to pour [...]
Nobel for Handken, known as a fan of Serbian dictator Slobodan Milosevic, prompted criticism from the Swedish Academy from around the world.
After indications that the Academy could cancel the Nobel Prize for Handken, Mahmut immediately sent a letter to her secretary, Mats Malm.
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Mahmut's full letter:
Public letter Mr. Mats Malm, secretary of the Swedish Academy
Your Honor. Malm,
Writing on October 17th in the newspaper “Dagens Nyheter”, entitled “Mats Malm: If anything new is discovered about Handken, we will re-evaluate”, it says that “in Peter Handkes Academy writings has found nothing that constitutes an attack on civil society or disrespect of equality among people”.
Your promise, that you will review the decision in case “discovered something new about Handken...”, which would give me the opposite proof of what you know about the “Nobel” price laureate for 2019, prompted me to address you publicly through this letter.
I'm going to mention just a few arguments based on the <x0 mic> ” of writer Peter Handke, proving that, when it comes to Serbian ideological projects with which the author is fully embedded in question, then respect for human equality is not a foreign approach to writer Peter Handke. In these projects he is incarnated with his entire being and attacks uncontrollably on anyone who ventures to risk realising those projects.
This public letter will only limit myself to “Die Kuckckevo Velika Hočia” (The cities of the Great Hoça) because it seems enough to testify that in the writings of Peter Handkes the Swedish Academy, the Swedish Academy can find many things that constitute an attack on civil society or disrespect and equality among people. (All the following quotes are from the French translation of this work: “Lescous de Velika Hoča”, published by “La Difference”, Paris, 2011).
At the beginning of this work, Peter Handke indicated that he had decided, at the 2008 Orthodox Passover celebration, to visit Serbian “”.
The definition of Kosovo as Serbia's “” testifies to Peter Handkes' identification of the ideological interpretation of history. That attitude is distorting historical reality and direct assault on Albanians. All those who have knowledge of history well know that Albanians are autochthon residents of this part of Europe and that Kosovo's history does not begin with the arrival of Slavs in the Balkans. In this context, I will quote French historian Alain Duceler, who says: “All newer works from the fields of linguistics and archaeology, testify that the Illyrians are, no doubt, the Albanian direct ancestors.
Everyone knows that Slavs are Indoor people, who have recently come to Europe, because the wave of their influx reaches the 6th and VII centuries C.E. All arguments of the historical type to supposedly” Serbian Kosovo” turn against the Serbian thesis, because history teaches us that Serbs, in relation to Kosovo, are invaders that have come too late”. (Alain Ducellier, “Les Albanais sonnais-ils des envahiseurs au Kosovo?” (Did the Albanians invade Kosovo?)
Despite historical facts, in its <x0artistic> ” Peter Handke takes full advantage of the ideological language of Serbian nationalism and insists that “Kosovo is Serbian land, where even the blitz trees are Slavic trees...). The Serbian right on Kosovo rests on the right to that land planted with Serbian cereals, now standing on that land, along with the previous life and work of parents, grandparents, ancestors, fathers and ancestors of their fathers and ancestors... This right doesn't need legends, nothing less, for myths. The Serbian right on Kosovo stems from this base and does not know what kind of game history is playing, which has confiscated Kosovo from Serbs and, thus, a great injustice (...)” has become.
The definition of Kosovo as Serbia's “” in Peter Handkes is an example of unilateral treatment of social facts and a lack of respect for the equality of all people in Kosovo. Speculations that allegedly “Albanians have confiscated Kosovo” and that they allegedly have “changed the appointment of cannons”, as Peter Handke does, are direct attacks against Albanians and warmongering, because they intend to mobilise Serb extremist forces to former “free Kosovo from Albanians”!
As much as someone tries to see Peter Handkes' artistic work separate from his commitments in support of an ideology that has caused great tragedies in the Balkans, the rage <x0-directive) of this author does not deserve the price for literature, because the creativity of human intellect in the field of literature must resist destructive ideology.
In addition to Peter Handke's anti-Albanian bitterness, due to the alleged “confiscating of Serbian Kosovo”, for “the injustice that has been done to Serbs”, Peter Handke also blames “the application of KFOR forces in Kosovo”. For this “Nobel” award laureates, KFOR members are “pes strange, which cannot be regarded as visitors, nor guests, who, prior to the NATO bombings, had come to Kosovo as mediators, as referees or simply as international observers...”. In Peter Handkes' poisonous “pen, the members of this force are “people without a homeland who had come to Serbian Kosovo to find at least one refuge in their new homeland, because each of them had legal problems in its own country and could not return. They're like pots, coming to make eggs in other people's nests -- in Serbian Kosovo”!
Presenting members of Kosovo security forces ( KFOR as if they were criminals, who cannot return to their countries who have come as jars to lay eggs in Serbian Kosovo, is extremely ungrateful and the example of disrespect and prejudices that reign in the pen of this “Nobel” prize laureate. Beyond the contempt and disrespect it shows to KFOR members, when it treats them as “crimination” and as “que”, Peter Handke expresses uninhibitable hatred of Albanians. For the price laureate “Nobel” in literature for 2019, “Albanians cannot be metaphically compared to any animal. To compare Albanians with butts, it's too soft as metaphor”. Albanians are worse than animals in Peter Handkes' “artistic work”! To illustrate how many monsters Albanians are, the author mentions a female who had come to the Passover party in Hoça the Great and was presented as the Christian Albanian “gazier, sympathizing with this enclave. But a week later, in Hamburg's “Der Spiegel”, she had published a writing not on the way the Passover was celebrated in this country, but presented the Great Hoch as the refuge of criminals, and the priest as a man of the political sphere...”.
Anyone who has read the work “Great Hoça towns” has noticed what religious hatred the two parts of the city of Mitrovica are described. In describing the northern part of Mitrovica, Peter Handke sees only<x2 beautiful Orthodox cathedrals, where other people live in this part of the city except Serbs. At the same time, in the south, only Albanians live and glass dots prevail, like a tent surrounded by rockets... where you should be careful not to utter a word in the Serbian language, not to look curious and not present yourself as “écrival”, “writer”, <x> x8>, or <x>poet<10>, because it would arouse suspicion in Albanians, who tolerate journalists only...<11).
Presenting the southern part of Mitrovica as a country, where only Albanians are supposed to live and hide the fact that Bosniaks, Roma, Ashkali and Turkish live in this country, is biased to justify the claim of Serbian ideological propaganda, allegedly “the seizure of Kosovo Serb by Albanians”. There can be no greater disrespect for the equality of all people than Peter Handke's denial of the existence of Bosniaks, Roma, Ashkali and Turks in the southern part of the town of Mitrovica. Albanians, Serbs, Bosniaks, Montenegrins, Ashkalins, Egyptians, Turks are everywhere where they have been before, and are represented in all Kosovo state institutions. It's Peter Handkes' problem, which has freely embraced the ideology of Serbian nationalism and claims that where there are no Serbs there is nobody's land, a “noons land”, which mentions it so often.
To stir up hatred against Albanians, in “Great Hoça's cities” he slanders that supposedly Serbian “with kidney problems, which had to be diagnosed and treated every week at Prizren Hospital, has faced insults by Albanians”. To be more convincing in his confession, the author makes up “a physician of Turkish origin, who was very kind to this Serb, then treated as other patients, and all because Turks have learned to behave like gentlemen, whereas Albanians can never act like gentlemen”!
In describing the Orthodox holiday of Hoça the Great, this work of Peter Handkes reaches the climax of religious and ethnic hatred. According to this author's <x0thweristic” description, “has just begun ringing church bells, the voice of the Albanian village's moezin, which was near the village of Hoça the Great, calling for the forgiveness of 11 o'clock, and the bark of the wandering dogs (4)x3>! Albanians of religious Islamic affiliation and wandering dogs destroyed Hocha's inhabitants for Easter celebration!
Such a lie can be spread only by the minds captured by ideology charged with ethnic and religious hatred. While he is aware that there is no lunch forgiveness at 11: 00 p.m., Peter Handke deliberately lies to make the impression that the Muslim clergy change even the hour of prayer just to prevent the Christian festival! Only the co-ordination charge is missing with wandering dogs, to become an unfair Serb in Kosovo!
Your Honor. Malm.
I can continue with numerous examples and get to the same result: Peter Handkes' work has more inciting religious and interethnic hatred than literal art. As such, the author of these works does not deserve to be the Nobel Prize laureate “Nobel” for literature, because it would justify the contempt, ridicule and insults inflicted on victims of the ideology of Serbian nationalism, “balmed with Peter Handkes' artistic stock”.
P.S.
In 2014 Peter Handke won the International Prize “Henrik Ibsen”. The 50 thousand-euro amount was sent to Serb residents of Greater Hocha in Kosovo.
No one should be surprised, if Peter Handke gives Serb extremist forces the monetary value of the price “Nobel” to free Kosovo from Albanian seizure”.
Respectfully
Bardhil Mahmut,
Swiss politicologist












