Ibrahim Rugova creator

1.

We are recalling today two decenye of the literary creativity and intellectual formation of Ibrahim Rugova (1967-1987) to understand the cultural format of the national human format that for the following two decenies (1987/8) became the political leader of Kosovo.

2.

Leonardo Da Vinci, a painter and ingenious inventor, has at last been intimidated by the greatness of nature and its work of culture. After creating the famous paintings, the “Mona Lisa” of the last “Darka”, at the end of his life he made “Autoportretin”. The point is strong nature/cultural confrontation. The first holds the mystery of the Supreme Creator. The second holds the thrill of the human creator, who unwittingly falls into the sin of the dream of rivalism with the Supreme Creator. It is the dream of an endless child to become a Creator. The reckoning of man's life comes only to be a Author.

3.

We are now in the field of culture, and Ibrahim Rugova wrote and made them a cult in youth. He saw this empirically at the Normal School in Pec, learning that there is a difference between creation school (know). Just when the Teacher refused to accept creation, he saw it too perfect for a student, storing the perfect for the Creator.

4.

This mystery was started by Ibrahim Rugova after coming to Pristina in literary studies, 1967; and especially when it became Autor after 1968, first in the magazine “Word” with essays “Zenite literary x3>, where, in the literary work, he sought to find the Author, by doing the opposite of possessing then thought. Ese published in the book “lyrical stringing” in 1971. In the 68th generation literary cultural circle in Universities, this was done in writing, publications and talks on creation in the nearest circle where Rexhep Ismajli, Eqrem Basha, Becir Musliu, Teki Dervisi, I, who am witnessing, and others. The district creators published the works in the newspaper “The new World”, in the magazine “Duturia” and the books on this publisher. Their literary articulations, with the aim of retaking Albanian heritage in communication with European modernity, seemed to be the literary alternative to the Italian plain. The new literary cult became the book whose appearance was called a holiday, followed by discussions. In this literary and cultural communication, Ibrahim Rugova was distinguished as the first public reader of new publications.

5.

Ibrahim Rugova entered the Albanological Institute in 1972, to be raised to the level of the title of the Scientific Council. Already with author and literary authority statue, Ibrahim Rugova climbed the scales of excellence. On one hand, tracking classical Albanian literature to regain the legacy. On the other hand, reading and valuing contemporary literature. In essence, by deepening the recognition of the creative act, the study of literary forms, to crown the theory of criticism and literature by confronting modern European methods. To see the Albanian ID at the universal dance of other contemporary literature. Riesi, a lot of methods, without fetishes, highlighted Rugova then. The review of the critic was shown: as a bibliographer, as an interpreter, as a theoretical, even as a chronicist in the view of the “Covetore” of Faik Konica. And by measuring with demanding methods and discipline, such as structure and Semiology.

6.

Ibrahim Rugova went to Paris in 1977 to study, in Colège de France, where he met Rolan Bartin professor, being himself “âlève libre” [free student]. Parathesis: Colège de France is a very special academic institution where there are no regular students; there is no registration, there is no instruction is free; the institution releases no degrees, presence in and is free, everyone can enter. These are far from standardizing courses; professors must present their research in the stream (“at the moment of doing”). They say what they want because there are no obligations or diplomas, but this must always be new. He never has the right to repeat the course.

So Rugova did not go to France to graduate, nor did he. However, he found a paradise of wisdom where the soul opens free to display all the capacities of observation and philosophy. This must have been the most productive year in his intellectual world when he made his final conscience - free thought and free man.

7.

Upon returning to Pristina, Ibrahim Rugova went back to the study of Peter Bogdan's work, “Cuneus Prophotharum”, which he crowned for three years and published under the title of Bogdan's “: 1675-1685” in 1982. There Rugova stated and testified to systematic wisdom and literary passion, revealing the fundamental values of Albanian philobilic literature, coveted in the fields of Semiology, mythology and humanistics. The book was brought to December Prize for literature.

8.

Ibrahim Rugova defended the doctoral thesis on the subject “Kahe and premieres of Albanian literary criticism: 1504-1983” in Pristina in 1984. The book was published two years later. It's an undeclared history of this form of speech in national literature. In 1987 he published the work “Aesthetic rejection”, the last book of his literary publications. It established the process of contesting dictatorship and totalitarianism, while simultaneously defending the nature of literature. Because exercising freedom until collective victory requires other forms of conflict, language in the operation of the deed, and authority. February: From “Aesthetic rejection” is introduced in “political rejection” of Albanians to violence.

9.

Six books feature Ibrahim Rugova's critical profile: creative reading in the “lyrical string” (1971), specification and literaryity in the action “Kah theory “ (1978), criticism of the poetry assessment in the book “The strategy of understanding” (1980), the philosophy of the literary semantics of “Bogdani” (1982), the systematisation of Albanian criticism in the work “Kaha of Albanian literary criticism: 1504-1983-19x9> (1986), the intellectual's report with power of the book “Eesthetic Rejection” (1987).

10.

No soul writes down what it does. Rugova also wrote the last text (“Joyce, Albanian, Aristotle”) as the foreword to his possible theoretical-filozofofic-letrare research, starting from Antiquity. He imagined that he would continue to search for the Creator himself, but his star told him otherwise: You will become the Creator in another realm - the freedom of man, the freedom of the land. In 1988 Rugova became chairman of the Association of Kosovo Writers, forgiving the heart and spirit of articulating the will of his people. In 1989 he established the political, democratic and independence formation of Kosovo (LDK), and became Kosovo's spiritual and political leader until he passed away.