Spanish critic: Ermonela Jaho gave us the feeling of love, suffering, and genuine agony

Albanian soprano Ermonela Yaho shone with her performance in opera “Madame Butterfly” at theatre “Real” in Spain, where she came so much like Puccini's work that she seemed to die on stage. That's how Ruben Amon begins his criticism in the most important Spanish newspaper El Pais by analyzing opera “Madame Butterfly” where Ermonela Jaho performed the lead for several consecutive nights, writes atish.

Crying at opera is a weakness? With this question Spanish journalist invites us to enter the depths of a production and impressive performance of Ermonela Jahos at the Real Theatre in Madrid. Ermonela Jaho turns “Butterfly” into an epidemic of tears, sighs and emotions. Should an artist be thrilled, or would that lead to a losing course? Man asks himself these questions after assisting in the discovery of Ermonela Jaho as a protagonist at Madame Butterfly at the Royal Theatre.

And I'm not talking about a surprise breakthrough, but it's better said in accepting the mystery. Myster, which means that the Albanian soprano gave the impression that it was so popular in the role of Cio Cio San that it gave us the feeling that he was falling in love, suffering and was in genuine agony.
We perceive tragedy as if it were happening on stage. This is just an extract from the excellent criticism Spanish media have dedicated to Albanian soprano after the success at Real Theatre, where opera was directed by conductor Marco Armiliato, while directed by Mario Gas.
While soprano Ermonela Yaho himself in a post on the social Facebook network, where he has even distributed the writing of the Spanish journalist, says that “is something special when they thank you in your language... Thank you, Spain, from the heart for the warm reception”.
Opera “Madame Butterflu” will also be shown at the 12th, 15, 19th, July 21st at the Real Theatre of Spain. /KultPlus. com