Painting in the Decani Church tells of alien visits, thus writes Huffingtonpost (Photo)

We can now anchor the beginning of the UFO phenomenon in a true and documented history. Christmas history began when three wise men saw something strange in heaven and decided to investigate. Anyone who has seen a UFO can easily relate to what these wise people can have [...]
We can now anchor the beginning of the UFO phenomenon in a true and documented history. Christmas history began when three wise men saw something strange in heaven and decided to investigate.
Anyone who has seen a UFO can easily relate to what these smart people might have thought, and that's what makes the images so convincing in these paintings, reported “Huffingtonpost”, the Periscope broadcast.

Many unusual air objects described in paintings between the 14th and early 18th centuries are seen at first glance at the modern visits of UFOs.
It is easy to wonder why artists from those centuries ago seemed obsessed with engaging these curious objects in scenes surrounding the birth stories and death of Jesus Christ.
The first example here is a wall, or fresco, dating back to 1350, “freeze”, painted by an unknown artist at the Decani Monastery in Kosovo. Two strange objects with “pilot” can be seen in the sky on both sides of Jesus.


It is strange that details on the upper left and right part of Kosovo's fresco can be seen from the eyes, they actually refer to something known: sun and moon”, according to Dennis Geronimos, associate professor of Italian and head of the Art History Department at New York University.
He added that the visible simultaneous presence of the sun and moon, “aludes to mention in some of the Gospels of heaven growing during the day of the intersection of Christ”.
1486 year painting is “The announcement by St. Emdiun”, by Carlo Crevell, who lives at the National Gallery in London. It shows a circular object that strikes a thin beam of light until the Virgin Mary.





The golden subx0s that descend from a new bank through an opening on the walls of Mary's room, reaching her destination in the head of the Virgin, carry along her path to the Holy Spirit”, Geronimos said. Its “Its characterism takes on the shape of a white dove that symbolizes fleshlyness. ”
Its scientific “value is that we can now anchor the beginning of the UFO phenomenon in a true and documented history”, Vallee said.
You can't just say because someone saw something round in the sky in medieval times, it's the same phenomenon that people see today. We're not making that statement. We are simply describing what people saw and related phenomena as a contribution to the general study of the phenomenon's history,” he added.

Vallee was a leading leader in 1978 in the only UFOC's presentation of history, where he asked for serious, international, and impartial research, focusing on reports of the UFOs that were considered truly unidentified.
“is enough to say,” concludes Geronimus, not one of these painted details represents the early modern discovery of the UFOs, which does not mean that the contemporary audience of Kosovo muralists or Carlo Crevell did not believe in beings of the other world or in supernatural events”./Periscopi/